“We show references to the beginning of the main character’s life at this point in terms of the content,” says Lukas. “It’s got some of that ‘Mikasa’ spirit,” smiles Marc. It taps into the expansive energy of signature fan favorites, while elevating the group to a new level. The first single “Overthrow” revs up from a crushing tidal wave of riffing into a soaring and striking clean refrain.
That’s an element that I don’t think anybody was expecting.” “with the story, the demeanor got pretty sinister. “The overall vibe is darker and heavier,” reveals Lukas. Every element is amplified: it’s heavier, it’s more hypnotic, and it hits even harder. That difference stands out in Veil of Maya’s marked sonic evolution. It brought a different energy and ended up really cool. Another change, he was writing on the spot. This is the first time we got to write with his voice in mind. Everything was done by the time he joined the band. “In the past, we completed all of the instrumentals for Lukas to marinate on. “Two studios working at the same time was a new approach for us,” continues Marc. Marc worked with producer Max Schad in one studio, while Lukas teamed with vocal producer Brandon Paddock in another. Late 2016 saw the musicians head to Los Angeles in order to record what would become False Idol. Matriarch earned acclaim from Billboard, Alternative Press, New Noise Magazine, and more as the guys hit the road with the likes of Animals As Leaders, Upon A Burning Body, Volumes, Chelsea Grin, Oceans Ate Alaska, and other heavy hitters in addition to a stint on the Vans Warped Tour.
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Meanwhile, “Leeloo,” “Ellie,” and “Aeris” each cracked the 1-million mark on Spotify. The album bowed at #2 on the Billboard US Hard Rock Chart and spawned the band’s biggest hit to date, “Mikasa”-which racked up over 5.2 million YouTube views and 5.1 million Spotify streams. The seeds for this widescreen ambition can be traced back to 2015’s Matriarch. It’s almost like we were providing the soundtrack in Veil of Maya’s template.” “Lukas actually had a storyboard idea that we talked about before even starting.
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“It felt more like we were making a movie or a TV series,” adds Marc.
You’ll have to listen in order to find out how it ends. “You’re following this character who’s not the nicest man. “The whole album is told from a first-person perspective,” Lukas explains.
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